This is the head of a film production’s electrical department. The term was derived from American theater, where people used it to describe stagehands who shifted scenery. This is a camera crew member who assembles and maintains camera support equipment, moves it, and sets it up. This title refers to the member of the grip department that moves dollies and camera cranes. This professional is the grip team supervisor. This designation is the same whether the second in power is male or female. Eventually, this led to the second in control of both divisions being known as the best boy. When the head of either department needed extra help, they would approach the other department head and ask them to lend them their best boy. The term originated in the filming days before unions were present, and the line between electric and grip departments was less defined. This film professional is second in command to the key grip or gaffer. This professional manages child actors on a production by keeping them engaged and hushed when they are not being filmed in a scene and coaching them on acting. This is a term for a utility sound tech who performs various sound department tasks, usually pulling cables. This term is a nod to the term fixer, which describes someone who makes arrangements for others, especially when devious or illicit in nature. This professional provides logistic support, arranging for anything involving equipment, crews, talent, location, customs, permits, accommodations, and transportation for filmmakers recording abroad. Their tasks include cleaning the set and providing snacks between main meals. These professionals assist the crafts (art director, props, grips, electricians, sound, camera, etc.) during a production. These models can also display the appearance of costumes, lighting schemes, and surface textures. Their job is to render choreography, camera movements, focal lengths, camera angles, and desired shots. This professional provides the production designer of a film with a computer-generated 3D model demonstrating how a scene will materialize. Our experts on grip lighting are here to offer an inside look at some of the obscure job titles found in film production and what their jobs entail. Most people have little experience in the film industry, so they are confused by the job titles they see when credits are rolling at the end of a film.
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